It is possible to leave so much out of any given story.
I devoured Emily St. John Mandel’s new novel, The Glass Hotel. I barely took any notes at all, because I just wanted to keep on reading. There is a unique pleasure in reading Mandel’s words. It feels like some sort of magic. Having read and loved one of her earlier novels, The Singer’s Gun, earlier this year, and with Station Eleven being one of my favorite books of all time, I can say she has risen to a firm spot in my Favorite Authors list.
What I love about Mandel is that she excels at making me care about multiple characters through multiple timelines. Even relatively minor characters are drawn with care and filled in so they show off many shades. Events sometimes double back on themselves so that in the end there is a completely wrapped package, all the ribbons and paper of the story slowly coming together.
This novel is about a fictional Ponzi scheme and the various ways characters are connected to and affected by it. Which sounds kind of boring when I write it that way. So let me try again: it’s about a dysfunctional brother and sister relationship; a young woman who loses her mother at a young age and shapeshifts her way through life ever after; a beautiful but remote hotel off the coast of British Columbia; a charismatic business man who engineers a lucrative Ponzi scheme, all the while knowing it’s only a matter of time before it unravels. It’s also about people on the margins, people who are not tethered to a city or a house or a family. It’s an exploration of imagined worlds that seems real and real worlds that seem imaginary. It’s about loss, love, ghosts, and, of all things, shipping.
I loved it, and cried at the end. I cried at the end of The Singer’s Gun too. I think I cried during Station Eleven but it’s been a while and I don’t remember. 🙂 Mandel makes me care about characters who aren’t great people, who do things that irritate or make me feel frustrated. Humanizes, that’s the word I’m looking for. Oh, and there was a fun Easter Egg mentioning events in Station Eleven that made me gasp with delight.
Not quite as good as Station Eleven, but nearly there and incredibly absorbing.
Format: new hardback (owned)