Reading Round-up and The CC Spin Result

Hello friends, I hope you’ve had a good week! It’s time to do a little catching up and finally tell you what my Classics Club Spin result was.

Recently Finished Reading:

Tooth and Nail by Ian Rankin.

5519730This is the third book in the Inspector Rebus series. In this one the Inspector gets called down to London (from his home base of Edinburgh) to assist on a serial killer case, chasing a suspect nicknamed “The Wolfman.” There’s a lot about the psychology of serial killers here, and I liked how open-ended the case was right until the very end. Rankin highlights the tension between the English detectives and our Scottish protagonist. He’s not exactly welcomed with open arms. There’s a subplot about Rebus’s family, his daughter and ex-wife who live in London, and how he’s not exactly been the most present father. And another cringe-worthy romantic relationship – my least favorite element of these books so far. Rebus is kind of a screw-up in that area. I am not sure that I really like John Rebus, but he’s interesting and funny and complex and I like reading *about* him. And I’m a softie for a maverick detective. I eagerly anticipate getting to read the next installment.

Currently Reading:

Bad Blood: Secrets and Lies in a Silicon Valley Start-up by John Carreyrou.

37976541I’m listening to the audio book of this from my library, and it’s BANANAS. I can’t even begin to comprehend the amount of money poured into this half-assed, shady, unethical operation. The hubris, megalomania, and privilege of Theranos’s founder, Elizabeth Holmes is mind-boggling. It’s a highly entertaining and eye-opening read. I’m ignoring my usual podcasts in favor of this book. I definitely recommend it. The narrator is nothing special, but the book is just so… wow. One heck of a story here. I’m about half way through.

Karamo: My Story of Embracing Purpose, Healing, and Hope by Karamo Brown.

43253544I’m OBSESSED with Netflix’s Queer Eye and all the guys. They are just the most joyful and kind-hearted people and their show makes me happy. So of course I’m going to read any memoir that one of them writes. (And I do like to read celebrity autobiographies.) Karamo is laying it all out there. I’m halfway through this and he’s just discussed his addiction to cocaine that nearly killed him, an interesting take on colorism and gender, and his love for his church and how he won’t let anyone cherry-pick Bible verses to denigrate who he is. He comes across just as confidently as he does on the show, and I like how he is baring all of his past mistakes honestly. I recommend this if you’re a fan of the show.

CC Spin Result:

The number chosen in Monday’s spin was 19, which means I’ll be reading Brideshead Revisited by Evelyn Waugh. I’m really excited to finally read this and I own a copy already which is nice. Here is the Goodreads blurb:51MDxGgSUmL

The most nostalgic and reflective of Evelyn Waugh’s novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder’s infatuation with the Marchmains and the rapidly-disappearing world of privilege they inhabit. Enchanted first by Sebastian at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognize only his spiritual and social distance from them.

Have you read this?

What have you recently finished?

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Classics Club Spin # 20!

It’s time again for another Classics Club Spin. I am so grateful for these Spins or else I really would take ten years to complete my list instead of five. Here are the rules:

At your blog, before next Monday 22nd April 2019, create a post that lists twenty books of your choice that remain “to be read” on your Classics Club list.

This is your Spin List.

On Monday 22nd April, we’ll post a number from 1 through 20. The challenge is to read whatever book falls under that number on your Spin List by 31st May, 2019.

This is perfect timing for me because I will be DONE WITH THE COUNT OF MONTE CRISTO soon! (Maybe even tonight.) Woo-hoo!

Here is my Spin List (in alphabetical order by author:)

  1. Fahrenheit 451 – Bradbury
  2. The Tenant of Wildfell Hall – Bronte
  3. The Master and Margarita – Bulgakov
  4. The Woman in White – Collins
  5. A Study in Scarlet – Conan Doyle
  6. Great Expectations – Dickens
  7. Love Medicine – Erdrich
  8. Howard’s End – Forster
  9. Cold Comfort Farm – Gibbons
  10. Nightingale Wood – Gibbons
  11. The Thin Man – Hammett
  12. Jonah’s Gourd Vine -Hurston
  13. Quicksand – Larsen
  14. The Blue Castle – Montgomery
  15. The Gowk Storm – Morrison
  16. Quartet in Autumn – Pym
  17. Ceremony – Silko
  18. The Warden – Trollope
  19. Brideshead Revisited – Waugh
  20. Stoner – Williams

We’ll see what number they draw on Monday.

Have you read any of these?

Count of Monte Cristo Check-In

I apologize for my absence here the past couple of weeks. We’ve all been sick at my house, the boys with the flu and I with a cold that turned into a sinus infection that has knocked me on my bottom. I’m just now starting to come out of it. Things have also been nutty at work and I’m in the midst of trying to hire a senior assistant. I haven’t had energy to write and not a lot of time to blog hop, but I have been reading! It’s time for another installment of my Count of Monte Cristo reader’s journal (covering pages 417-605.)

9780307271129Here’s what I want to say most about this book right now: Don’t be afraid of big books. For so long I put off reading this classic because its size intimidated me. I was afraid the style would be off-putting or too archaic. How wrong I was! Yes, there are sections that drag a little bit more than others, but on the whole, it’s a remarkably fresh, exciting, well-crafted story. Breaking it up and taking it slow has enabled me to enjoy this classic at my own pace while still reading other books.

Here are some plot highlights of this section (Chapters 34-45:)

  • Two young French men, Baron Franz d’Epinay and Viscount Albert de Morcerf, become acquainted with the Count in Rome. In fact, Dantès orchestrates a “kidnapping” of Albert just do he can save him. Why is Albert so special to Dantès? He’s related to someone from Dantès’ past.
  • The Count is powerful and wealthy enough to save an old associate from being executed, but he’s weird enough to make Franz and Albert watch the other criminal get executed.
  • Franz realizes he’s met the Count before, only when he partied with him in the grotto on Monte Cristo he knew his as “Sinbad.”
  • Dantès and Albert make a plan to meet in Paris at Albert’s house in exactly 3 months.
  • Who should Dantès meet at Albert’s house? Mercédès, his former fiancee, who is Albert’s MOTHER. Dear old dad is none other than Fernand. Mercédès is shaken and unnerved by The Count’s appearance, but she doesn’t say anything about her true feelings to her son.
  • Dantès buys a house in Paris and discovers that Villefort once had an illegitimate child with Madame Danglar there, and tried to kill it. Dantès’ servant, Bertuccio, rescued the child and gave him to his sister-in-law to raise.

Whew! This book certainly doesn’t lack for plot! And all the connections of the characters sometimes make me have to consult Wikipedia so I’m sure I know what’s going on. But it’s still good fun.

So I’ve got a lot of catching up to do, both here and on reading your blogs, friends. I hope you’re all staying well this winter – flu and other illnesses have been running rampant down here. My son’s school was closed because of illness for two days ahead of the holiday weekend. Drink lots of fluids, get some sleep, and wash your hands! 🙂

 

 

 

 

The Second 200(ish) Pages of The Count of Monte Cristo

(Note: I’m making my way slowly through The Count of Monte Cristo by Alexandre Dumas as part of my Classics Club list. I’m reading 100(ish) pages a week and writing up my thoughts reader’s journal-style every couple of weeks.)

1088140So where did we leave off last time? Oh yes, with Dantès and the Abbe Faria, his fellow prisoner and new friend, hanging out together by way of a secret tunnel they’ve carved between their two cells. Faria is showing off his homemade tools to an incredulous Dantès. Well, we pick up in this installment with the two men talking about just how Faria got his reputation for being “mad.” Apparently he has talked for years of a massive treasure that was willed to him long ago by his former boss and friend, the Compte de Spada. (The story of how the treasure is concealed and revealed to Faria is really fun and I won’t spoil it.) Guess where this supposed treasure (Dantès is skeptical) is located? The small island of Monte Cristo! And Faria, in a touching speech, wants Dantès to have it.

“You are my son, Dantès,” exclaimed the old man. “You are the child of my captivity. My profession condemns me to celibacy. God has sent you to me to console, at one and the same time, the man who could not be a father and the  prisoner who could not get free.”

And Faria extended the arm of which alone the use remained to him to the young man, who threw himself upon his neck and wept bitterly.

Fast forward a little bit, and Dantès has indeed escaped prison. I won’t tell you HOW, because that is truly one of the most inspired bits I’ve read so far and caused me to write “OMG!” in my notes. He’s now a man of 33, fourteen years since his arrest.

Then his eyes lighted up with hatred as he thought of the three men who had caused him so long and wretched a captivity.

He renewed against Danglars, Fernand, and Villefort the oath of implacable vengeance he has made in his dungeon.

He hooks up with some amiable smugglers and assumes the identity of a shipwrecked Maltese sailor. Apparently his appearance and even his voice has undergone such a great change in his fourteen years of captivity that “it was impossible that his best friend – if, indeed, he had any friend left – could recognize him; he could not recognize himself.” I had to suspend my disbelief that no one seems to recognize him, but you just have to go with it if you’re going to continue to enjoy the story. Then, in a stroke of luck, the patron of the boat that he has sailed with for a couple of months happens to want to make some sort of clandestine exchange of goods, and which small, uninhabited island would make the best out of the way place for such an exchange? Why, Monte Cristo, of course! So Dantès is able to finally go to the island and try to devise a way to search for the treasure out of eyesight and earshot of his fellow smugglers.

Does he find the treasure? Again, I don’t want to spoil things for you, but suffice it to say that he doesn’t need to keep sailing with the crew of The Young Amelia when his term of service ends.

He charges his new friend Jacopo to venture to Marseilles on an errand, to ascertain the whereabouts of his beloved father and his former fiancee, Mercédès. The news isn’t good. Assuming various identities and accents, Dantès visits both his old pals Caderousse and M. Morrel to get more of the particulars that led to his imprisonment. After playing the silent benefactor to save Morrel from his financial troubles, Dantès leans in to his dark side, with this rousing speech:

“Farewell kindness, humanity, and gratitude! Farewell to all the feelings that expand the heart! I have been Heaven’s substitute to recompense the good – now the God of Vengeance yields to me his power to punish the wicked!”

Finally, we get a strange little diversion with the story of two young, elite Frenchman, Albert and Franz, who want to travel around Europe. The last 50 pages or so of this section are a little strange and rambling and I’m not sure exactly where it’s headed. I mean, obviously Dantès is playing the long game here in his quest for vengeance – after all, there are 1000 more pages to go!

This continues to be a very entertaining read and I’m thoroughly invested in seeing how this all plays out for Dantès. I want to see Danglars, Fernand, and Villefort get what’s coming to them, and good!  Stay tuned for more in a couple of weeks!

 

 

 

 

 

 

The First 200 Pages of The Count of Monte Cristo

I’m doing it, friends! I’m finally reading this book!

And it’s terrific.

I’ll be posting informal reading updates every 200 pages or so. These are not going to be in-depth lit-crit examinations of the book but more like a reader’s journal. Reading about 100 pages a week works for me, allowing me to continue reading other books and making progress on my other reading goals. I’m pleasantly surprised by how entertaining and easy to read this is. I don’t know what I expected, but I suppose I thought it would be harder going than it has been so far. Where do we get these notions of “classic” novels, that they should somehow be like work?

9780141392462Anyway, the book. Do you guys know how the plot gets rolling? There’s this young sailor, Dantès, who’s virtuous and upstanding, well-liked by his men. He’s about to be married to his true love, the beautiful Mercédès.  He does an errand for his dying Captain, delivering a letter to Elba, where the deposed Napoleon is exiled. Upon his return, and about the become Captain of the ship, he is accused of treason for his errand. How did this devastating turn of events come to pass? Three men, jealous of Dantès for different reasons – Danglars, Caderousse, and Fernand – have conspired to frame him.

The villains are villainous, although I suspect one of them may have a change of heart at some point. One of them I absolutely hate. (Guess which one?) Mercédès is pretty much a non-entity at this point; I get nothing from her except she’s awfully blind to Fernand’s true nature. Dantès’s father is a heartbreaking case.  The injustice of the whole thing propels the plot along. I want to keep turning the pages because I want Dantès to get his revenge! And I know it’s coming, but as I have 1200 more pages to go, probably not for a while. 🙂

Then there’s the whole Villefort/Noirtier side plot, the thing that takes the accusations of the three conspirators to the next level and gets Dantès imprisoned. I’m not sure what to make of Villefort yet  – he’s selfish and conniving – but the meeting with his father was certainly a dramatic moment.

I LOVE that Dantès has found a pal in prison! And they’re doing all sorts of fun prison break stuff together! The Abbé is practically MacGyver (do people remember that show?) He’s made pens out of fish bones, paper out of hankerchiefs, and ink out of soot and blood.

“There is one thing puzzles me still,” observed Dantès, “and that is how you managed to do all this by daylight?”

“I worked at night also,” replied Faria.

“Night! – why, for Heaven’s sake, are your eyes like a cat’s , that you can see to work in the dark?”

“Indeed they are not; but a beneficent Creator has supplied man with ability and intelligent to supply the want of the power you allude to. I furnished myself with a light quite as good as that possessed by the cat.”

“You did? – Pray tell me how?”

“I separated the fat from the meat served to me, melted it, and made a most capital oil; here is my lamp.” So saying, the abbe exhibited a sort of vessel very similar to those employed upon the occasion of public illuminations.

“But how do you procure a light?”

“Oh, here are two flints, and a morsel of burnt linen.”

“And your matches?”

“Were easily prepared, – I feigned a disorder of the skin, and asked for a little sulphur, which was readily supplied.”

I love how nonchalant the Abbé is about the whole thing.

81lq9cbf+sl._sy445_Are there classic novels you’ve put off reading for one reason or another? What’s been stopping you from getting to them? Is the movie version of this book any good? Let me know in the comments.

 

 

Thoughts on Go Tell It on the Mountain by James Baldwin (#CCSpin #19)

And the darkness of John’s sin was like the darkness of the church on Saturday evenings; like the silence of the church when he was there alone, sweeping, and running water into the great bucket, and overturning chairs, long before the saints arrived. It was like his thoughts as he moved about the tabernacle in which his life had been spent; the tabernacle that he hated, yet loved and feared.

510dFZyJmyL._SX303_BO1,204,203,200_I feel like I got way with something by reading Go Tell It on the Mountain for the latest Classics Club Spin. We were supposed to be reading one of the longer books on our lists, but I only put ten “big books” on mine, and the spin result happened to be Baldwin’s 1953 first novel. The one I borrowed from the library clocked in at 291 pages. Oh well. Those big books are still waiting for me.

This is a challenging books to write about. It’s a family story and a coming of age story. Goodreads says it’s semi-autobiographical and my copy’s jacket flap quotes Baldwin himself as saying, “Mountain is the book I had to write if I was ever going to write anything else.” I’ve now read three of Baldwin’s books, and I’ve seen the exquisite documentary about him, I Am Not your Negro, but I do want to read a biography about him or at least do some more research into this life.

Not only is this book challenging to describe but it was challenging to read as well, because I felt so bad for the main character, the young teenager John. His family lives in 1930’s era New York City, and his cold and critical father Gabriel is an associate pastor of a very Evangelical type of church. His world seems pretty sheltered and restricted, and you can feel John wanting to break free and explore the variety of experience that New York offers.

He stood on the crest of the hill, hands clasped beneath his chin, looking down. Then he, John, felt like a giant who might crumble this city with his anger; he felt like a tyrant who might crush this city beneath his heel; he felt like a long-awaited conqueror at whose feet flowers would be strewn, and before whom multitudes cried, Hosanna! He would be, of all, the mightiest, the most beloved, the Lord’s anointed; and he would live in this shining city which his ancestors had seen with longing from far way. For it was his; the inhabitants of the city had told him it was his; he had but to run down, crying, and the would take him to their hearts and show him wonders his eyes had never seen. 

Gabriel and John do not get along, and we come to find out that John is Gabriel’s wife Elizabeth’s son by another man. Gabriel becomes a bit more humanized and sympathetic as we delve into flashbacks of his story, and we come to understand in flashbacks how and why Elizabeth married him as well. The last section of the book is John’s feverish, nightmarish religious experience (salvation? conversion?) with an ambiguous ending.

Did I enjoy this book? Enjoy is not exactly the word – it was a surprisingly page-turning read. Some parts were more engaging than others, especially the back stories of John’s aunt Florence and mother Elizabeth. But I gave it four stars because of the beauty and precision of the language and the challenging spiritual imagery.

Time was indifferent, like snow and ice; but the heart, crazed wanderer in the driving waste, carried the curse forever.

Have you read this? If you’ve read Baldwin before, what is your favorite of his books? Are you interested in seeing the new film If Beale Street Could Talk (based on Baldwin’s 1974 novel?)

 

 

Classics Club Spin #19 Result!

I’m very late with my CC Spin result post, but better late than never. I’m excited to say that the number selected was #1, which made my book James Baldwin’s Go Tell it on the Mountain. Here’s what Goodreads tells us about this classic novel:510dFZyJmyL._SX303_BO1,204,203,200_

Go Tell It On The Mountain, first published in 1953, is Baldwin’s first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy’s discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin’s rendering of his protagonist’s spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

I’ve been eager to read more of Baldwin since I have read and LOVED The Fire Next Time and Giovanni’s Room. The library copy I ordered from another branch is only 291 pages, so it’s not a “chunkster” (as we were prodded to try from the Classics Club moderators) –  I feel like I got away with something, tee hee! I’m going to have to get to 9781101907610those really big books sometime, though, in the next four years.

Have you read this? Have you read any other of Baldwin’s novels or nonfiction? Have you seen the phenomenal film about him I Am Not Your Negro? (If you haven’t, you really should!)