Five Sentence Reviews : Two Classics and a New Best Seller

The Island of Doctor Moreau by H.G.Wells

This is short – my edition was 131 pages including an Introduction and a Forward by Margaret Atwood. It was descriptive, atmospheric, and unsettling, and the beginning is mysterious enough to hook the reader. I can see it’s rightful place as a science fiction classic and also how it’s exploration of science and ethics would make for great classroom discussion. But I can’t summon much enthusiasm for it. It’s pretty bleak and parts of it are very disturbing. ⭐ ⭐ ⭐

The Body in the Library by Agatha Christie (Miss Marple #3)

Another short book- my paperback was 207 pages- but this one felt MUCH longer. Intriguing premise: a young attractive blond woman is found strangled in a country estate library and of course there are many suspects. Miss Marple didn’t make much of an impression on me here and she disappears for much of the book. The end provides a great twist but it took forever to get there. I love Christie’s other great detective, Hercule Poirot – am I just being too hard on Miss Marple? ⭐ ⭐ ⭐

Evvie Drake Starts Over by Linda Holmes

This was delightful; it reminded me of Elinor Lipman. A baseball player struggling with the “yips” and a youngish widow who isn’t exactly grieving meet when one rents an apartment in the other’s overly big house. Sparks smolder slowly and eventually burst into flames. I appreciated the modesty with which the romantic scenes were written ( I don’t really want a play by play.) This was a cute, smartly written novel about the value of good therapy, true friendship, and two people on the journey to wholeness ( but not co-dependent!) ⭐ ⭐ ⭐ ⭐

A request for you Christie fans out there: What is your favorite Miss Marple book?

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The Lager Queen of Minnesota by J. Ryan Stradal

When Edith was feeling low like this, baking a pie had never failed to make her happy. Like how some people talk about yoga or mountain climbing or music, it was how she lost herself and touched something else. It was her church away from church. It wouldn’t solve any problems, but it might make her and a few people forget them for a while, and that was something.

She stocked up on ingredients at Cub Foods. She took out the last of the canned rhubarb from Lucy, and used the fancy lard from Block’s Provisions, that expensive and tiny store on Hennepin. She felt the dry flour between her fingers, and thought about being a great-grandmother. She thought about it like how a tree in winter thinks about its leaves. She rolled this thought over the dough, and pressed it into its edges. The sun fell outside, and she didn’t reach for the lights. The pie baked in the dark, and she sat in her quiet kitchen and waited. She was good at that. She was seventy-seven years old, and she had all the time in the world.

51a2My+6uGLI’ve found my leading contender so far for favorite book of the year. I know there’s a lot of year left, so I’m leaving the door open for something else to come in and touch me more than J. Ryan Stradal’s second novel, The Lager Queen of Minnesota. But it had better be darn good, because I’d give this book more stars if Goodreads would let me.

Lager Queen is about sisters and pie, and yes, beer. It alternates points of view between three characters: sisters Edith and Helen, and Edith’s granddaughter, Diana. Helen is an unlikely sort of young woman in the 1960s, who figures out that she wants to make beer, and she knows she’d be good at it. Her older sister Edith is the settled one, the dependable one, the one who Helen says “putting cake frosting on a bran muffin” is her idea of fun. When their father gives all the money from the sale of the family farm to Helen to help start her beer making venture, Edith and her sister stop talking, and the silence only gets louder and louder over fifty years. Year later, Edith’s granddaughter, Diana, who Edith has to help finish raising after a terrible accident, exhibits both Helen’s fiery spirit and her grandmother’s practicality. But after getting caught making some very questionable choices, she is given a new opportunity to find something she’s good at, and it’s closer to her great-aunt’s path than she could ever guess.

This book just hummed with authentic characters and believable dialogue, two of my criteria for good fiction. J.Ryan Stradal has a gift for creating characters the reader cares about, people who aren’t perfect but are fully dimensional and whose actions are credible. And just like his first book, Kitchen of the Great Midwest (which I loved,) featured some killer foodie scenes, this one is filled with interesting and zingy writing about beer. I’m not a beer drinker but I almost wish I was reading these sentences.

The four examples of IPAs were meant to break Diana’s brain open about the possibilities of what an IPA can do, but these beers were too far beyond her comprehension.

Her first, second, and third impression of each IPA steamrolled her ignorant palate; drinking them was like losing a boxing match to become a better boxer. It’s unfair, she thought, that whatever the hell she’d made would be called beer, on a planet where these beers existed. They her feel terminally bewildered.

Other sentences I loved:

“Her grief was a forest with no trails, and she couldn’t guess how long her heart would walk through it, as her body walked other places.”

“It was like a man to scratch his name on the banister of history, but Helen had come to believe that it was better to be the stairs.”

All three women go through a lot over the course of the book, which feels like real life too, with loss, disappointments, and victories big and small over the years. By the time the end comes around you can feel all the threads coming together, only you’re not sure if it’s all going to end the way you want it to. I’ll say this: it’s one of the most satisfying endings I’ve read in a long time, and I totally bawled. It’s the kind of book I’m tempted to immediately read again, but I can’t because it’s a library copy and people are waiting on it! And then I had the thought that I need to buy Kitchens of the Great Midwest and read that again. So I guess I’m a J. Ryan Stradal-head now. This is one of those books that I am sure I can’t do justice to in a review, so I’ll just say that I wholeheartedly loved it.

⭐ ⭐ ⭐ ⭐ ⭐

 

 

R.I.P. Challenge 2019!

rip14I’m excited about my favorite annual reading challenge, R.I.P. XVI! It’s the only challenge I’m participating in this year and it’s my fourth year doing it. I always stick to the very manageable Peril The Second, in which you just have to read two creepy/thrilling/mysterious/scary/ suspenseful books of your choosing. This laid-back “challenge” is perfect for readers like me who are allergic to sticking to a TBR list. You can also read short stories or watch creepy/thrilling movies or TV shows as well, if that’s your thing. Personally, I find that I’m better reading scary stuff than watching scary stuff.

I’m choosing two deep cuts from my Goodreads TBR: Mr. Mercedes by Stephen King, which I added way back in June 2015, and The Halloween Tree by Ray Bradbury, which I added in September 2016. I really don’t know much about either one but I’m in the mood to read some kinda scary and hopefully page-turning reads as we head into Fall!

 

Have you participated in this challenge before? If not, do you think you’ll give it a go now? What do you consider to be a great read for Fall?

The Nickel Boys by Colson Whitehead

The capacity to suffer. Elwood – all the Nickel boys – existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who would have destroyed them? To make that leap? We will meet your physical force with soul force. Do to us what you will and we will still love you. 

Elwood shook his head. What a thing to ask. What an impossible thing.

71yP-dPa0mLIf a 225-page book takes me nine days to read, either I don’t like it or it’s really sad. The Nickel Boys by Colson Whitehead is decidedly sad. I didn’t cry, and I didn’t feel burdened by gratuitous descriptions of violence. Whitehead, mercifully,  writes sparingly but efficiently of the punishments given out by the mean-spirited men in charge of the fictional Nickel Academy. I just felt sad, heavy with the knowledge that these injustices happened to real boys in the 20th century at Florida’s Dozier School for Boys, the inspiration for Nickel. Heavy with the weight of our continued struggle with racism in the U.S. At the same time, I relished Whitehead’s characterization of the two young heroes in this story, Elwood and Turner. He is a phenomenal writer – not an emotional one, but one who nonetheless has the capacity to move me greatly.

It’s the early 1960’s and Elwood and Turner, the book’s main characters, stand in for hundreds of boys, black and white, who endured horrible conditions at the real life Dozier School. (You can read more about it here.) The boys at Nickel were either wards of the state that no one was sure what to do with or they were there as punishment for a “crime.” Elwood, an enterprising, bookish young man, inspired by recordings his grandma bought him of Dr. Martin Luther King, Jr., starts the book as the least likely boy to end up at a place like Nickel. But he’s soon caught up in a tragic mishap that lands him in the nightmarish facility, where he meets Turner, a low-key, cynical, but streetwise teen who has no family and is on his second stint at the school. Turner takes Elwood under his wing after Elwood makes the mistake of letting his ideals guide him in the murky social structure at Nickel.

I absolutely fell in love with these two characters, especially Elwood. The way he continues to struggle throughout the novel to reconcile his ideals, the ideals Dr. King showed him, and the reality of his situation, all the adults and kids who weren’t playing by the rules of love and justice and a higher purpose, this is the heart of the book for me. I have read some reviews of Whitehead’s works that fault him for being detached or unemotional. I agree with that characterization but for me it’s a good thing. The things he writes about, especially his last two books, have been about so much sadness and violence that I want a level of detachment from the author – it helps me, a sensitive person, not get overwhelmed by the subject matter. I can focus on the beauty, strength,  and economy of the writing and, here, delight in the characters.

The Nickel Boys is an achievement, a testament to the hell that real life boys endured for most of the 20th century. I think Colson Whitehead is a genius who can write just about any kind of book he wants to and I love the range of his work. I know this kind of book isn’t an easy sell, especially for sensitive readers. But I highly recommend it – if I, known shunner of heavy books, can handle it, you most likely can too! ⭐ ⭐ ⭐ ⭐ ⭐

 

Queenie by Candice Carty-Williams

img_4355This book is not for everyone.  There’s lots of “language” and casual (kind of icky) sex, plus domestic abuse references and mental health issues – but I really enjoyed it and read it quickly – in two days! The main character, Queenie Jenkins, is compelling and interesting, complex and flawed. She nearly drove me crazy making some very poor choices but I was always invested in her story. Queenie is a 25-year-old black British woman of Jamaican heritage and has just “taken a break” with her long-time (white) boyfriend. While her personal life is falling apart, her physical health and professional life are also suffering. She has some good friends and a sweet extended family but is very reluctant to get therapy to address long-standing issues from her past that are sabotaging her present. I found her struggle with anxiety and depression very convincing and I empathized with her. Carty-Williams does a great job of portraying a family and a culture where mental health issues aren’t talked about or dealt with other than just basically saying, “Yes, life’s hard, now soldier on.”

However, there are moments of humor which go a long way towards breaking up the heavy issues. The jacket says it’s “darkly comic” and I’d agree with that. Really good stuff, if you want some contemporary fiction and are okay with your characters making questionable choices!  ⭐ ⭐ ⭐ ⭐

Favorite passage:

“…well, he asked to buy me a drink, but I very firmly said no.”

“Oh, well done.”

“Thanks. He was one of those mainstream millenials, which wasn’t so appealing, but I wouldn’t have let him buy me a drink even if he wasn’t. He didn’t try to bang me on sight, though, so that’s something, I guess.”

“What’s a mainstream millenial?” Darcy asked.

“Have I made this term up?” I questioned myself. “I’m sure I’ve seen it on the Internet. You know, those men: bike riding, knitted sweater? Pretends Facebook isn’t important to him, but it really is?” I was met with a blank stare, so carried on. “Craft beer, start-ups, sense of entitlement? Reads books by Alain de Botton, needs a girlfriend who doesn’t threaten his mediocrity?”

“Oh, right,” Darcy said, not as mediocre-man-hating as me. “Anyway, well done, you! One of these days we’ll have a whole week of conversation where we can pass the Bechdel test!”

 

 

Two Big Books of Summer

Recently I read two of the biggest books of the summer: Kate Atkinson’s Big Sky and Elizabeth Gilbert’s City of Girls. I LOVED one of them and liked the other. Let’s get to it.

img_4237I pre-ordered Big Sky a few months ago, something I rarely ever do – hello, library five days a week – but Atkinson is one of two authors I automatically make an exception for (the other is Jess Walter.) This is the fifth installment in her Jackson Brodie series, and I’ve loved every one of them so far. I didn’t know if she’d ever return to this beloved character. It’s been nine years since the previous one, Started Early, Took My Dog. I’m happy to report that this one satisfied my expectations and then some.

If you’ve never read one of these books, well, they’re hard to categorize. They’re not shelved in the mystery section of my library, even though they involve a private detective/ ex-policeman, Jackson Brodie. They’re multi-layered stories with lots of characters and threads that end up coming together eventually in unexpected ways. Atkinson has a talent for writing stories about very heavy and/or sad things but somehow letting the reader breathe a bit with dark humor, razor-sharp wit, and characters to root for.

It’s been so long since I’d read one that I’d kind of forgotten where we’d left off with Jackson. But Atkinson does a nice job giving us enough back story to catch us up.

Brodie Investigations was the latest incarnation of Jackson’s erstwhile private detective agency, although he tried not to use the term “private detective” – it had too many glamorous connotations (or sleazy, depending on how you looked at it.) Too Chandler-esque. It raised people’s expectations.

This one involves some very unsavory characters involved in sex trafficking – Jackson gets involved sort of obliquely because he saves a desperate man from throwing himself over a cliff. I hate to write too much about the plot because part of the joy of these books is piecing together how all these characters know one another and fit together. Suffice to say there is an underground of disgusting men taking advantage of young women and Jackson and an old friend, Reggie, who is now a policewoman, are investigating. What I loved about the book besides the puzzle was the characterization and the humor. Jackson is just a terrific character – he’s cynical and pessimistic but still got a good heart, loves his kids and his dog, and wants to help the vulnerable. In one of my favorite scenes he’s trying to counsel the chap he just saved from the cliff, and not doing a very good job:

“Sometimes you’re the windshield, Vince,” Jackson said, “sometimes you’re the bug.” That was what Mary Chapin Carpenter sang anyway, pace Dire Straights.

“I suppose,” Vince agreed, nodding slowly as he chewed on the last bit of toast. A good sign in Jackson’s book. People who were eating weren’t usually about to top themselves.

“And there’s no point in clinging on to things if they’re over,” Jackson continued. (Julia was right, perhaps counseling really wasn’t his forte.) “You know what they say” (or what Kenny Rogers would say), ” ‘you’ve got to know when to hold them and know when to fold them.’ ” This was better, Jackson thought, all he had to do was utilize the lyrics from country songs, they contained better advice than anything he could conjure up himself.

I loved it, and I am hopeful that there will be at least one more installment in this series.

Gilbert’s City of Girls is a big, exuberant historical fiction novel about a young woman named Vivian. Well, at the beginning she’s an old woman reflecting on her life at the prompting of the daughter of her great love, who has written Vivian to try and find out just what exactly she was to her late father. So the story is essentially Vivian’s long, winding, roundabout answer. Most of the action takes place in New York City in 1940-41. Vivian has flunked out of Vassar and been sent to live in the care of her colorful aunt Peg, who owns and lives above a struggling theater called The Lily Playhouse.

This is a very detailed portrayal of a time and place, a love letter to that specific New York City, and Gilbert does a great job of putting the reader right there in the setting. It felt real and made me jealous of Vivian, who got to experience that New York before the post-war modernization boom and subsequent grimy decay of the 60’s and 70’s. Also there is a lot of fashion in this novel – Vivian has a natural gift for sewing and crafting outfits from scraps of fabric, which makes her very popular with the showgirls at the theater. I liked Vivian, but the first 140 pages or so didn’t convince me of the necessity of the story. It was nice, kind of fun, but didn’t feel essential – until Aunt Peg’s erstwhile husband Billy shows up from Hollywood with a surefire hit of an idea to reinvigorate the theater and make everyone some money. Then things started to happen and I became more invested. As we get towards the end of the novel and the man who becomes Vivian’s great love comes into the story, I could hardly read fast enough. This part moved me greatly and I ended the novel in tears. I love how Gilbert’s books are all so different from one another, but one thing she consistently does well is make the reader feel the complexities of romantic relationships. Not everyone gets a fairy-tale ending, but that doesn’t mean that the love wasn’t real or valid. I also appreciated how Vivian came to own her sexuality over the course of the book. She became a woman who didn’t apologize for having a sex drive and that was refreshing, especially considering the time period.

…at some point in a woman’s life, she just gets tired of being ashamed all the time.

After that, she is free to become whoever she truly is.

This was good. A bit uneven for me, but it gained steam as it went along and I’m glad I read it.

Have you read these? What books published this year have you loved?

 

 

 

Let’s Talk Classics: A Round-up

I’ve made progress the past few months on my Classics Club list and thoroughly enjoyed myself in the process. I have not been timely about posting on these novels, however, so it’s time to clear the decks with some (very) mini-reviews. Let’s start with the one I read first, way back in March!

Lady Susan, The Watsons, Sanditon by Jane Austen ⭐ ⭐ ⭐

First of all, kudos to me for finally reading the longest sitting book on my Goodreads TBR list. It had been there since 2008! I would recommend this only if you’re an Austen super fan. If you’re not, then DO read the wickedly funny Lady Susan, but you can feel free to skip the other two, which are unfinished novel fragments. I’ll be honest, I don’t remember much about them! They were fine, they just didn’t sing like her novels do. I think the seeds of great books were there but maybe just didn’t have time to blossom into being. Lady Susan is worth the read because it’s really sharp and feels more daring than Austen’s later works. It’s about a 40-something widow and mother who is just awful (in a fun way,) constantly scheming to get her daughter married off and to get herself invited to people’s houses for extended periods, all the while making eyes (and worse) with other people’s husbands. The movie adaptation that came out a couple of years ago is pretty good too and faithful to the novella.

The Count of Monte Cristo by Alexandre Dumas ⭐ ⭐ ⭐ ⭐

Yes, I did finish this one back in April but it felt and still feels nearly impossible to write about it. It was worth all the time I spent reading it. It really is a marvelous adventure, filled with unlikely but very entertaining twists, dastardly characters, and a very long game of revenge. It’s a commitment but I am so glad I read it and do recommend it.

Brideshead Revisited by Evelyn Waugh ⭐ ⭐ ⭐ ⭐ (Classics Club Spin Book)

Initially I loved this 1944 novel because it was filled with beautiful, rich, early 20th-century English people saying witty things to one another (one of my favorite genres of entertainment.) The prose sparkled with Sebastian as one of the main characters, but when he dropped out of the story line, my attention wasn’t held as strongly. I don’t think Charles is a very lively character.  He’s kind of a jerk, especially later in the book when he’s married. The scenes on the cruise ship were my favorite parts, though. This was good; uneven, but interesting. I’d like to watch the Jeremy Irons adaptation sometime.

My Cousin Rachel by Daphne du Maurier ⭐ ⭐ ⭐ ⭐ ⭐

Yes, I said that I might like this one more than Rebecca! I can’t decide – it’s at least as good, okay? The atmosphere du Maurier creates is just as tense and suspenseful (not as Gothic, though.) Young Philip is determined to hate his Italian “cousin” (by marriage) Rachel, but when she arrives at the estate unexpectedly after her husband’s death, she confounds Philip’s preconceptions. She is a fascinating character – one minute I was intensely sympathizing with her and the next I was convinced she was shady as hell! And my feelings about Philip changed over the course of the novel too. Initially I was firmly in his camp and little by little I saw all of his flaws and stubborn blind spots. The writing is incredible and the story is perfection. Now I’m pretty sure I need to read everything else du Maurier wrote.

I’ve read 14/51 classics from my list, and I’ve got about 3.5 years to finish  I guess I need to pick up my pace a little bit and be more intentional about mixing in classics with my contemporary novels. It’s good to take stock of where I am.

What classic works have you picked up lately?